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Solo Presentation at Context Art Miami

Context Art Miami
Santiago Montoya - Trust
Golden US Flag
Context Art Miami
Queen of Pain (I)
Golden Money Maker
Context Art Miami
World Map (Vale un Peru)
Zero (Final Countdown)
World Map (Vale un Peru) (Detail)
Wall of Lamentations VIII
Context Art Miami
Good Tree (Detail)
Wall of Lamentations VII
Wall of Lamentations VII (Detail)
Queen of Pain (IV)
Wall of Lamentations IX
Golden US Flag (Detail)
Context Art Miami
TRUST (Detail)
One Money My Money (II)
One Money My Money (II) (Detail)
Context Art Miami
Thin Air
Golden Money Maker (Detail)
Five (Final Countdown)

Offshoot Arts are pleased to present a solo exhibition with Colombian artist Santiago Montoya at CONTEXT Art Fair in Miami.

The fair opens on 30th November and runs until 5 December 2021.

Trust – a concept that underpins the very integrity and core values of a civilized society.  A value that is mediated through symbolic systems including religious institutions, government, banks and of course, matters of the human heart.  Santiago Montoya explores the complexities and challenges of this revered construct, most poignantly in his new work ‘TRUST’ that will be exhibited for the first time at Context Art Miami.  Often featuring impactful and thought-provoking text in his work, the word ‘trust’ is carved from a copper plate, with 24 Karat gold leaf and iron rust fused onto the text.  The notion of how trust can be eroded, its transience, alludes to the idea that trust is difficult to find, to build and cultivate, and perhaps to endure.  This sense of erosion is boldly addressed, with the word ‘rust’ contained in the word trust – ‘one of the mysteries of life’ as the artist states.


In an age of uncertainty and dissimilitude, where financial organizations and governments around the world are relied on to create a better, fair and equal world, Santiago Montoya questions their motives and approaches.  The ‘Wall of Lamentations’ series will be exhibited at Context, large panels featuring Montoya’s signature medium – global banknotes.  These are meticulously aligned on stainless steel panels, a radiant display of the colours and illustrative details of paper currencies.  Their methodical alignment suggest order, community and unification – however the title of these works belie the colourful affirmations of this unusual medium.  Beyond the aesthetic impact, Montoya implicitly investigates the fundamental fabric of our society, and its systems and hierarchies that are the framework for the world we inhabit. 


In the epic ‘World Map (Vale un Peru)’ piece, the map of the world is created using dollar bills, gilded with silver leaf, seducing the viewer with its scale and luxurious materials.  ‘Vale un Peru’ (worth a Peru) is a Spanish phrase symbolising great value.  This work relates to the very origins of capitalism and the global economy thanks to the abundance of silver in the mine of Potosí, then part of the viceroyalty of Peru during during Spains golden era. The phrase ‘Vale un Perú’, comes precisely from those days when silver began circulating from Peru onto east and west and the reales de 8 became the first worldwide accepted currency. The multi-faceted and multi-layered relationship that we have with global financial systems and money is played out in works such as ‘Golden Money Maker’ and the number series. 


One of the pivotal works in the exhibition is the epic Jacquard tapestry ‘Goodtree’.  Over 3 meters wide, this beautifully weaved wall-hanging features the monumental Sycamore tree.  The image is taken from one of Eritrea’s banknotes in Africa.  The image inspired Montoya of his childhood in Colombia, where giant Samán trees grow, providing much needed shade.  The enveloping arms of the tree provoke sentiments of growth, protection, safety and shelter; it is almost anthropomorphic in its maternal embrace.  The tree is an enduring symbol of positivity, inclusivity and dependence; values that counter any duplicitous or untrustworthy ventures.   Montoya shines a light on life’s misgivings, and yet offers a confident and trusted voice of solidarity.


“Montoya has become not only a true scholar of finances and of the history of commodities in Latin America, but an artist who addresses – by creating acute immersive environments – the uneven and uncertain landscapes that promises forge.”

- José Luis Falconi


José Luis Falconi - Assistant Professor, Art and Art History & Human Rights Institute, UCONN, USA


Born in 1974 in Bogotá, Colombia, Santiago Montoya now lives and works in Miami, USA.

Montoya’s practice has been dedicated to the exploration of notions of value, nationalism, commodities and the universal consequences and nuances of the production and distribution of wealth. Initially a painter, an inspired progression was to incorporate the actual raw materials in his work – global currencies, gold, silver, copper and other precious materials – exposing the disconnect between official state ideologies and reality itself. Montoya captures the collective consciousness, questioning the systems of power and shining a light on the disparities, injustices, and the absurd. Montoya’s works combine a wry humour and acute insight on a global subject that affects us all, and the inherent systems and structures that we live by.


Recent exhibitions include a solo presentation with Offshoot Arts at Context Art Miami;  ‘Elsewhere(s)’ at Untitled Art Fair, curated by José Luis Falconi and Estrellita Brodsky, Miami; ‘Seeds of Resistance’ at the Eli and Edythe Broad Art Museum in Michigan, USA and Art Museum of the Americas, Washington D.C. Montoya has upcoming solo exhibitions at the Somerville Museum in Massachusetts, USA and DRCIAS at Harvard, Massachusetts, USA in 2022. Montoya’s work is highly collected in both public and private collections, including MFA Boston, AMA Washington D.C, Jill & Peter Kraus, and Estrellita & Daniel Brodsky, amongst others.

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